{"id":3675,"date":"2026-09-13T21:43:31","date_gmt":"2026-09-13T19:43:31","guid":{"rendered":"https:\/\/lumbregallery.com\/?post_type=product&#038;p=3675"},"modified":"2026-09-13T21:47:45","modified_gmt":"2026-09-13T19:47:45","slug":"pixel-5","status":"publish","type":"product","link":"https:\/\/lumbregallery.com\/en\/obra\/pixel-5\/","title":{"rendered":"Pixel 5"},"content":{"rendered":"<p data-start=\"0\" data-end=\"96\">Reclaimed plush fabric and polyester fiber sourced from second-hand teddy bears<\/p>\n<p data-start=\"98\" data-end=\"108\" data-is-last-node=\"\" data-is-only-node=\"\">61 \u00d7 47 cm<\/p>\n<p data-start=\"98\" data-end=\"108\" data-is-last-node=\"\" data-is-only-node=\"\">2026<\/p>\n<p data-start=\"98\" data-end=\"108\" data-is-last-node=\"\" data-is-only-node=\"\">Certificate of authenticity<\/p>","protected":false},"excerpt":{"rendered":"<p><span style=\"font-weight: 400;\">The series <\/span>Pixel approaches the pixel as a basic unit of contemporary perception: the atom of the screen age<span style=\"font-weight: 400;\">. In digital culture, images are built from units of light, color, and information. Araquistain translates that logic to a tactile surface made from fragments of second-hand stuffed animals, replacing the immaterial glow of the screen with the physical density of plush fabric.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This shift generates a tension between digital color and material color, between light and fiber, between image and object. What at first glance appears to be a pixelated field becomes, upon close inspection, a surface of recovered skins, textures, and residues. The pixel ceases to be merely a unit of visual information to become a fragment of matter laden with affective, industrial, and symbolic histories.<\/span><\/p>\n<p data-start=\"0\" data-end=\"96\">Reclaimed plush fabric and polyester fiber sourced from second-hand teddy bears<\/p>\n<p data-start=\"98\" data-end=\"108\" data-is-last-node=\"\" data-is-only-node=\"\">61 \u00d7 47 cm<\/p>\n<p data-start=\"98\" data-end=\"108\" data-is-last-node=\"\" data-is-only-node=\"\">2026<\/p>","protected":false},"featured_media":3680,"template":"","meta":{"_acf_changed":false},"exposicion":[71],"product_brand":[73],"product_cat":[35],"product_tag":[],"class_list":["post-3675","product","type-product","status-publish","has-post-thumbnail","exposicion-positions-art-fair-berlin","product_brand-geronimo_araquistain","product_cat-obras-de-pintura-contemporanea","first","instock","sold-individually","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pixel 5 - Lumbre Gallery<\/title>\n<meta name=\"description\" content=\"Pixel 5 . La serie Pixel aborda el p\u00edxel como una unidad b\u00e1sica de la percepci\u00f3n contempor\u00e1nea: el \u00e1tomo de la era de la pantalla. En la cultura digital, las im\u00e1genes se construyen a partir de unidades de luz, color e informaci\u00f3n. Araquistain traslada esa l\u00f3gica a una superficie t\u00e1ctil realizada con fragmentos de peluches de segunda mano, sustituyendo el brillo inmaterial de la pantalla por la densidad f\u00edsica del tejido de peluche.  Este desplazamiento genera una tensi\u00f3n entre el color digital y el color material, entre la luz y la fibra, entre la imagen y el objeto. Lo que a primera vista parece un campo pixelado se convierte, al observarse de cerca, en una superficie de pieles recuperadas, texturas y residuos. El p\u00edxel deja de ser \u00fanicamente una unidad de informaci\u00f3n visual para convertirse en un fragmento de materia cargado de historias afectivas, industriales y simb\u00f3licas. Tejido de peluche recuperado y fibra de poli\u00e9ster procedentes de osos de peluche de segunda mano 61 \u00d7 47 cm 2026\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lumbregallery.com\/en\/artwork\/pixel-5\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pixel 5 - Lumbre Gallery\" \/>\n<meta property=\"og:description\" content=\"Pixel 5 . La serie Pixel aborda el p\u00edxel como una unidad b\u00e1sica de la percepci\u00f3n contempor\u00e1nea: el \u00e1tomo de la era de la pantalla. En la cultura digital, las im\u00e1genes se construyen a partir de unidades de luz, color e informaci\u00f3n. Araquistain traslada esa l\u00f3gica a una superficie t\u00e1ctil realizada con fragmentos de peluches de segunda mano, sustituyendo el brillo inmaterial de la pantalla por la densidad f\u00edsica del tejido de peluche.  Este desplazamiento genera una tensi\u00f3n entre el color digital y el color material, entre la luz y la fibra, entre la imagen y el objeto. Lo que a primera vista parece un campo pixelado se convierte, al observarse de cerca, en una superficie de pieles recuperadas, texturas y residuos. El p\u00edxel deja de ser \u00fanicamente una unidad de informaci\u00f3n visual para convertirse en un fragmento de materia cargado de historias afectivas, industriales y simb\u00f3licas. Tejido de peluche recuperado y fibra de poli\u00e9ster procedentes de osos de peluche de segunda mano 61 \u00d7 47 cm 2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lumbregallery.com\/en\/artwork\/pixel-5\/\" \/>\n<meta property=\"og:site_name\" content=\"Lumbre Gallery\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-13T19:47:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/lumbregallery.com\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-01-010029.png\" \/>\n\t<meta property=\"og:image:width\" content=\"759\" \/>\n\t<meta property=\"og:image:height\" content=\"1144\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"WebPage\",\"ItemPage\"],\"@id\":\"https:\\\/\\\/lumbregallery.com\\\/obra\\\/pixel-5\\\/\",\"url\":\"https:\\\/\\\/lumbregallery.com\\\/obra\\\/pixel-5\\\/\",\"name\":\"Pixel 5 - Lumbre Gallery\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/lumbregallery.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/lumbregallery.com\\\/obra\\\/pixel-5\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/lumbregallery.com\\\/obra\\\/pixel-5\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/lumbregallery.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Captura-de-pantalla-2026-09-01-010029.png\",\"datePublished\":\"2026-09-13T19:43:31+00:00\",\"dateModified\":\"2026-09-13T19:47:45+00:00\",\"description\":\"Pixel 5 . 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The Pixel series approaches the pixel as a basic unit of contemporary perception: the atom of the screen age. In digital culture, images are constructed from units of light, color, and information. Araquistain translates that logic to a tactile surface made with fragments of second-hand stuffed animals, replacing the immaterial brightness of the screen with the physical density of plush fabric. This displacement generates a tension between digital color and material color, between light and fiber, between image and object. What at first glance looks like a pixelated field becomes, upon close observation, a surface of recovered furs, textures, and residues. The pixel ceases to be solely a unit of visual information to become a fragment of matter laden with affective, industrial, and symbolic histories. 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